The tutorial video clip included on the installation DVD explained that I needed to direct the installer to the folder level above my existing Steam folder - and, having heeded that advice, everything was plain sailing. Installation and on-line authorisation took about 90 minutes and went fine for me, with hardly any swearing. For those who own both, the v1.1 version of Omnisphere can play Trilian patches, but as Omnisphere has more parameters than Trilian, the reverse is not true. As the Trilian core library is large, this may necessitate having to move your Steam folder to a new, larger-capacity drive, a straightforward operation that is explained in Trilian's printed user guide.
#Spectrasonics trilian demo software
The Californian company have now completed a similarly radical transformation of the popular Trilogy bass module: renamed Trilian, this souped‑up instrument now enjoys all the advantages of Steam and sports a brand new 34GB core library to boot.Īll of Spectrasonics Steam‑powered instruments (to date, Omnisphere and Trilian) must be installed in the same folder, so if you've already installed Omnisphere on your internal or external hard drive, you're obliged to locate Trilian's software and samples in the same place. That evolution occurred via the creation of Omnisphere's large, imaginative sample library, and also courtesy of the intricate programming functions introduced in Spectrasonics' custom 'Steam' sound engine. Those of you who upgraded from Spectrasonics' Atmosphere to the all‑singing, all‑dancing Omnisphere over the last year will have enjoyed its remarkable metamorphosis from a comparatively simple plug‑in instrument to a complex, highly programmable and versatile sample‑based soft synth. Let us know what you think of the latest 1.Spectrasonics' new Steam‑driven bass module bundles 34GB of electric, acoustic and synth basses into one package. I think you'll be really pleased with the adjustments we've made and that it will fit very easily for you now in your productions.
#Spectrasonics trilian demo update
We also added a bunch of brand new produced electric and acoustic bass patches in this update too that sound instantly great and "radio-ready". The original concept was more of a "start with the basic flat sound and build up from there" idea, but I think more people might be comfortable with a more "produced" initial sound (and then you can dial-it back or shut off the FX completely if you don't like them or want a warmer/more natural tone). So as a result of this and other "fitting in the track" kinds of comments, I went back and remastered the entire library - all the Electric/Acoustic patches and multis for the entire instrument and we approached it more in the context of music and with the notion of "production-ready" sounds when you first load them up. Sounds way better to have no Timbre Shifting at all and just to use some EQ/Comp techniques to give it more presence in the track. What I realized when I went back and checked the factory patches/multis again was the I had set the Timbre Shift control a little too high as a kind of effect to make the sound brighter in the initial release on that sound, but I realized that it took away some of the natural punch of the instrument. Check out how great it sounds in the George Duke "Behind the Scenes" video for example: Here's an important update on this topic:īased on your comment, I went back and checked out the Trilian Studio Slap to see what you could be talking about, since it's a great sounding Bass for slap and funk stuff. The electric basses and stuff (slap especially) just don't pop may just be that I suck at mixing though.Thanks for your feedback.we're always listening. I have trillian and I find it a PITA to mix properly.
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